Fortunate Contest

The Daily Telegraph is reporting that British electro-pop sensation La Roux will return to Australia in 2010 to captain the Bacardi Express traveling music festival.

La Roux will join the festival on a train when it travels from Brisbane to Sydney in March.

The duo of Elly Jackson and Ben Langmaid were in Australia for a brief visit in September and October on the back of hit singles.

In the article, Jackson said it was the “brilliant” Australian crowds that made her keen to come back.

“Everyone at our Parklife shows were amazing. We were completely overwhelmed by the response we got at both Parklife and our sideshows in Sydney and Melbourne,” she said.

Four other Australian bands will join La Roux aboard the Bacardi Express, now in its third year. The other musicians in the lineup won’t be announced until next month.

The train will carry almost 100 fans, bands and crew to free concerts at each stop in Brisbane, Coffs Harbour, Newcastle and Sydney, with impromptu concerts a possibility in the on board jam carriage.

Concert tickets to the Bacardi Express gigs can be won through registering at www.bacardiexpress.com.au from Jan. 10 (must be over 18).

2010 Bacardi Express concert dates: Brisbane, The Tivoli: Thursday March 25, 2010; Coffs Harbour, Venue TBC: Friday March 26, 2010; Newcastle, Panthers: Saturday March 27, 2010; Sydney, Big Top, Luna Park: Saturday March 27, 2010.

La Roux will be playing sideshows at: Melbourne, Festival Hall: Friday March 19; Perth, Belvoir Amphitheatre: Sunday March 21and Adelaide, Thebarton Theatre: Tuesday March 23.

Tickets to these shows go on sale at 9 a.m. on Friday, Dec. 11.

During the 1950s, Rickenbacker had many popular models. Probably the most popular were the hollow body six string Capri models. This guitar was first unleashed on the world in 1958. The guitar itself was designed by Roger Rossmeisl. There were three models of this guitar and each one had a different body style.

But it wasn’t until the 1960s that Rickenbacker has sealed its name in rock and roll history when its guitars got permanently fastened to the British invasion of the mid 60s. This invasion came in the form of the greatest rock band of all time, the Beatles. The groups featured several Rickenbacker guitars in its arsenal. Before the Beatles called it quits for good, John Lennon had owned four Rickenbacker guitars himself. The guitars had become so attached to the Beatles that one of the models was known as the “Beatlebacker”. Never in history had one guitar been so identified with one particular group or person.

It wasn’t long though until Rickenbacker made its way to a number of groups. Roger McGuinn of the Byrds bought himself a Rickenbacker after seeing the Beatles movie “A Hard Day’s Night”. The sound of the guitar that McGuinn bought actually became the trademark of the Byrds’ sound. Other groups and artists that latched onto the Rickenbacker were Pete Townsend of The Who, John Fogerty of Creedence Clearwater Revival and John Kay of Steppenwolf. By the late 60s there was a six week waiting period just to get one of these guitars. They were beyond popular. They were a true phenomenon.

By the 1970s, Rickenbacker started making guitars with detachable necks. They even matched slanted frets to match the angle of the player’s hand. They also started making their famous double neck models that became quite standard. Other groups started jumping on the Rickenbacker bandwagon like Tom Petty and R.E.M.

Currently, Rickenbacker is as popular as it ever was. More current groups like Oasis, Pearl Jam, Radiohead and U2 all use Rickenbacker guitars to get their patented sound.

Barre chords are the scourge of the beginning guitarist. Like a bum knee, a prison record, the inability of matter to exceed the speed of light; barre chords hold us back. The next time an F minor chord messes with you, mess back with this:

• Check your thumb placement. Your thumb should be pressing against the back of the neck, on the fattest part, behind the area where the 2nd finger’s hanging out.
• Check your first finger placement. It should be parallel with the fret wire, so close it’s just barely touching the side. Roll your finger a bit toward the nut, so that the bony side of the finger is digging into the strings instead of the strings digging into what my student Casey calls the “chub.”
• Stop pressing so hard. That first finger’s only responsible for fretting some of the strings, so don’t try to press down on each string with equal force. For example, when playing a standard barred F chord, press hard with the tip of your finger on the 6th string, and dig your knuckle into the 1st and 2nd strings, but let the finger rest lightly over the other strings.
• Take heart. Often you can transpose a song to avoid barre chords. Also, some great guitarists never play barre chords–BB King, for example, played his way to greatness pretty much one note at a time. As he said in the U2 documentary “Rattle and Hum,” “I don’t do chords.”

Rob Hampton teaches private and group guitar lessons in Seattle, Washington. His website features guitar chords and tabs written by him for his students–they’re some of the most accurate free guitar music you can find on the web. He also has a lively guitar teaching blog.

The delicate sounds of a ballerina music box, inlaid music box, musical jewelry box, or music trinket box is loved by many a music box and antique collector. Some collectors and lovers of mechanical music may not realize the interesting history that is part of the world of music boxes and mechanical music. Let’s discover what that is.

Attempts to create mechanical music reproductions really began in the third century B.C. Plato had an idea for making a water clock that would sound the hours of the night on pipes. He felt this was needed since darkness made it impossible to read the face of a clock. No one knows whether or not the clock was made, but it did reveal that interest to produce music automatically occurred very early in history. Singing birds and organs, which were worked hydraulically likely, were developed from Plato’s clockwork idea.

After clocks were invented in AD 1000, more advances were made. Soon carillons of bells were made which played simple tunes on a barrel. Next came the barrel organ, which had air for the organ coming from bells driven by clockwork.

One of the most basic elements of mechanical music is how storage of the music is in a barrel or sheet, both of which rally make the memory of the instrument. The music was then set on the barrel with pegs and pins and on the actual sheet as perforation or projections. When rotated steadily and evenly against the levers, the levers then played an organ or carillon.

In 1502, the first mechanical music was made in the form of a barrel organ. The most famous one was the organ made in Salzburg for L. Von Keutschach. It had 350 pipes from which music from a barrel was played. The organ only had one tune for centuries until Leopole Mozart composed 11 more in 1753. Now, only 9 tunes survive on the original barrel. Announced with a grand and might chord, the locals have nicknamed it the “Salzburg Bull”.

It is fascinating that mechanical music has been around for so many centuries. It puts a unique perspective on the history of collectibles such as music boxes, antique music boxes, ballerina music boxes, inlaid music boxes, musical jewelry boxes, and music trinket boxes.

Copyright 2006 Monique Hawkins

Monique Hawkins is the owner of Monique’s Music Box. Located at http://www.My-Music-Box.com is a music box gift store specializing in products such as inlaid music boxes, wooden keepsake boxes, ballerina music boxes for ballerina rooms décor, and musical jewelry boxes. The company also provides interesting information for music lovers of all ages.